Chapter three of Graphic
Design Thinking: Beyond Brainstorming continues to prove that it is not a
required read or textbook for class, but rather a demonstration of the creative
process. With the chapter being on how to create form, Ellen Lupton includes multiple
ways to do so. While I most likely will not use most of them in my design
process, I eventually want to try each one at least once in order to keep my
designs “fresh.”
Reading the Newspaper Layout Case Study for “sprinting” made
me realize that I used to do a form of it in high school when I was on yearbook
staff. Before working on one design for our yearbook spread, we were told to
create three different layouts for a spread in one hour, meaning there was
twenty minutes per layout. It was quite interesting, but it ultimately helped
out a lot in the end because you could see which route each layout was going to
take and you could make a decision based off of that.
Using alternative grids is definitely a skill that I would
like to get into because I tend to focus on simplicity, cleanliness, and
symmetry within my designs. It would be interesting to take an object, make a
grid off of the lines that it makes, and base a design off of that grid. In
addition, it would be stimulating to design a project using a tessellated grid.
The section on kit of parts was appealing to me because it
is something that I want to try out because I have never done it. I especially
loved reading about the case study example on Detroit Animation and having a
palette of colors, textures, shapes, and illustration components. Creating a
project like that makes everything look uniform, which I like very much.
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